![]() ![]() If it’s possible to simplify the trajectory of painting in this way, from a projection of the image through the canvas to a mirroring of the painter’s activity, then Simon Hantaï occupies a confusing place. So while the canvases themselves held less room to fall into, they reflected back the facts of their own making, and of their makers. Modernism’s flattening of that dimensionality necessarily led to a focus on the painter’s actions, as in the swiveling of Cézanne’s gaze or the expressive brushstrokes of mid-century Americans. 2 Fifth Avenue, 131 West 15th Street, 200 and 220 West 21st Street By Raphael Rubinsteinĭepth in painting has long been achieved by thin layers of oil extending, from the viewer’s perspective, into an illusion beyond the canvas. A Hotel (now demolished) at Fifth Avenue and Eighth Street By Raphael Rubinstein East Village, SoHo, Midtown By Raphael Rubinstein No Evictions! Not Now, Not Ever By Comrade X, for Brooklyn Eviction Defense.Been Down So Long It Looks Like Up to Me By Jasper Bernes.Arthur Jafa: Revue Cahiers d∪rt By Sarah Moroz.Troy Montes-Michie’s Rock of Eye By Megan N.Aenne Biermann: Up Close and Personal By Karen Chernick.Martha Wilson’s Journals By Francesca Valentini.Hoda Afshar’s Speak The Wind By Maymanah Farhat.Wound-first Into the Future,1 part I By Jeremy Hoevenaar.four by Rene Ricard, translated from the Spanish by Lauren Stroh.Love Simulator / Scam Likely By Jim Behrle.Placenta in my Freezer: A New Mother’s Unexpected Case for Craft By Emily Kitchens.Georg Büchner and the Missing Language By Sam Kahn.Anti-Banality Union with Andreas Petrossiants.Aaron Baker’s The Baseball Film By Laura Valenza.Sean Baker’s Red Rocket By Mark Labowskie.bell hooks’s Heartbreak Church By Ayanna Dozier.m i c c a and the Landscape of Grief By Hallie Chametzky.Polymathic Possibilities By Scott Gutterman.Karnes’s Sounds Beyond: Arvo Pärt and the 1970s Soviet Underground By Parker Allen We Jazz Records and its Many-Headed Helsinki Hydras By Martin Longley.Rachel Rear with Ian MacAllen By Ian MacAllen.Jami Attenbergs I Came All This Way to Meet You: Writing Myself Home By Carissa Chesanek.Marino Magliani's A Window to Zeewijk By John Domini.Ned Denny’s B (After Dante) By John McEwen.John McWhorter’s Woke Racism: How a New Religion Has Betrayed Black America By Rod Kessler.Claudia Durastanti’s Strangers I Know By Joseph Peschel.Natalia Ginzburg’s Voices in the Evening By Zach Davidson.The Print Matrix Has You By Michael Menchaca. ![]() Growth Rings: Exploring the Natural World Through Print By Gustavo Garcia.Frottage, Takuhon, and the Gyotaku Methods By Marie Lorenz.Printing in the desert and listening to radio preachers By Martha Tuttle.Printmaking: Intentions and Aspirations Guest Critic: Ruth Fine Maria Nordman: At the Start By Ann McCoy.Shikō Munakata: A Way of Seeing By David Carrier.Georg Baselitz: Drawings By Jonathan Goodman.Marcus Jahmal: Mining By Jessica Holmes.Raymond Saunders By Andrew Paul Woolbright.Adam Pendleton: Who is Queen? By Folasade Ologundudu.John Willenbecher: Works from the 1960s By Mark Bloch.Darren Bader: The American Express Holiday Show By Hunter Braithwaite.Jane Freilicher & Thomas Nozkowski: True Fictions By David Carrier.No Tears: In Conversation with Horace Pippin By Amanda Gluibizzi.Holly Coulis: Eyes and Yous By Alfred Mac Adam.Bernard Frize: Come to Me Again By David Rhodes.Angela Davis: Seize the Time By Jillian Russo.Helène Aylon & Colette Lumiere By Norman L Kleeblatt.Sophie Taeuber-Arp: Living Abstraction By Robert C.The Hare with Amber Eyes By Jason Rosenfeld.Jeff Koons: Lost in America By Phyllis Tuchman.Camille Pissarro: The Studio of Modernism By Natalia Gierowska.Van Eyck to Mondrian: 300 Years of Collecting in Dresden By Robert C.Liz Larner: Don't put it back like it was By Bryan Martin.Rackstraw Downes: Drawings By Alfred Mac Adam. ![]()
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